A few days ago I didn't have any thing to say about this question except, perhaps, to comment that I would love to know how Lauren evaluates actors on film. I guess we're about to find out. Now that I've got some semblance of a technical set-up, it is so easy to do take after take after take, and I'm running into the same quandary. What I find myself evaluating are lighting hotspots that I did not see initially, opening my eyes too wide and looking bug-eyed, bad posture, speed of delivery, where my hands are, movements and gestures that seem bigger or faster than they should be, forgetting where the negative space is... These tangible things may be diverting my attention from whether the actual performance is any good, but they keep at bay my self-doubt about a filmic future.

Somehow, it miraculously stopped doing that, so all is well. There's no accounting for software!

Now a dumb question: How do I get the orientation of Filmic Remote on the iPad to match the orientation of Filmic Pro on the iPhone? Here's what I'm seeing: When I purchased Filmic Remote and took a quick look, this did not happen. I've tried setting and unsetting the orientation lock in Filmic and on both devices. Nothing seems to help except to turn the iPad sideways. Google search for answer was fruitless, and Filmic website does not address this. Anyone else having this issue? Anyone know a fix?

I just installed it, and I can see already that it is going to be extremely useful. There's a lag between the iPhone and the iPad, but for seeing what the camera sees, so far so good. (Also, it's only $2.99, not $9.99 so kind of a no-brainer.)

Filmic Remote gets pretty bad reviews, but if it's a one-time cost of $10, that does not seem prohibitive. Is it worth it?